A detail from a painting by Giovanni Cimabue, in the lower level of the Basilica at Assisi.

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Perfect Joy:
The San Damiano Crucifix

Lessons from the Life of Saint Francis of Assisi, Part 11

At first glance, the San Damiano crucifix gives the impression that Christ is merely standing before the cross, not hanging from it in agony. After all, Roman crucifixion was an ugly form of torture that left the condemned hanging from their arms by their own weight to die a slow death of suffocation. Some of the condemned were tied to the cross with ropes, and, in certain cases, as with our Lord, nails were driven through wrists and ankles to grind against raw bone, setting nerves afire with searing pain.

And yet here, in this image, Christ seems to be almost serene. What, then, could be the reason for such an odd depiction of the central mystery of Christian faith?

Well, look a bit closer and notice the background scenes that actually define the shape of the cross.

The crucifix at San Damiano.First, behind the center of Christ’s body, you can see the figures described in John 19:25–27: on the left, his mother Mary along with John himself, and, on the right, first his mother’s sister Mary the wife of Clopas, then Mary of Magdala, and then the centurion who proclaimed, “Truly this man was the Son of God!” (Mark 15:39). The smaller figures depict the soldier Longinus on the left with his spear, and on the right the man who put the sponge soaked in wine to Christ’s mouth. This central part of the image therefore depicts the mystery of the Crucifixion.

But now look at the arms of Christ. What do you see behind them? That long, dark, rectangular area is Christ’s tomb. But not just the tomb—the empty tomb. Notice the four angels along the bottom and the figures of Peter and John, as described in John 20:2–10, peering into the emptiness with amazement. This part of the background, then, represents the mystery of the Resurrection.

Finally, look at the T-shaped area above Christ’s head. There you can see Christ rising up into heaven; above his head the hand of the Father gives his blessing. For here, at last, is the culmination of his earthly mission and his return to his place at the right hand of the Father: the mystery of the Ascension.

So the entire San Damiano crucifix depicts not just the fact of the crucifixion, but it depicts the three mysteries that reside behind the crucifixion. To the world, the cross is a stumbling block and foolishness (1 Corinthians 1:23); but to the eyes of faith the cross is the Crucifixion, the Resurrection, and the Ascension, in their full simultaneous reality.

This image, of course, is the image that converted Saint Francis from a life of self-indulgence to a life of total obedience to God’s will.

Francis learned to rejoice in the overwhelming beauty of God’s creation—a beauty signfying God’s love—yet he did not desire anything of the material world for his own fulfillment. Instead, he desired nothing but to receive our Lord with a pure heart and chaste body.

And, as he showed through the rest of his life, Francis fully understood the reason for the odd depiction of Christ’s serenity upon the San Damiano crucifix. For when someone accepts injustice, cruelty, and contempt with patience, without being ruffled and without murmuring, and endures it all with charity and total faith, what else can we call it but perfect joy? And so, right from the beginning, Francis understood that the “background” to all human suffering must be total faith in the ultimate triumph of the Cross.

 


Consider it all joy, my brothers, when you encounter various trials, for you know that the testing of your faith produces perseverance. And let perseverance be perfect, so that you may be perfect and complete, lacking in nothing.

James 1:2–4

But rejoice to the extent that you share in the sufferings of Christ, so that when his glory is revealed you may also rejoice exultantly.

1 Peter 4:13


 

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